Sage Joske, fine tuning the rails of a sleek log for Jack Lynch. This is always my favourite part of shaping, the final turning of the straight edges with a screen. All of a sudden, as if by magic, the lines disappear & are replaced by curves. It's as if the blank is instantly transformed into a surfboard before your eyes, & you start to imagine how water might wrap & hold & caress those curves. For me, it's a moment to savour.

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